Theodor Adorno’s critiques the culture industry, arguing that it commodifies and standardizes art, stifling individuality and critical thought, which remains crucial in today’s media-influenced world.

Through an analysis of films since the late 1920s, this book explores how cinema exemplifies the transformation of looking into productive labor under capitalism.

The author discusses how the digital image within neoliberal capitalism exploits viewer attention, shapes profitable patterns of spectatorship, and connects communication to financial speculation.

The book examines the misrecognition of “information wants to be free” within screen-mediated contexts. It analyzes how computational capital reshapes representation, finance, identity, and sociality from the mid-twentieth century onward.

This book explores how information, transformed into derivatives  surpasses reality in societal wealth and significance.

This paper explores how automation perpetuates and conceals racial discrimination through the concept of the “New Jim Code,” revealing how neutral technologies can reinforce racial hierarchies and social divisions.

This collection examines how digital technologies exploit emotions, particularly through social media, exacerbating conflicts related to racism, misogyny, and nationalism.

The article explores how black feminism asserts identity and challenges dominant narratives.

This article examines how digital humanitarian technologies facilitate the adoption of private-sector logics in humanitarianism, leading to a form of philanthro-capitalism where capitalist imperatives influence aid practices and institutional strategies.

The book “investigates how information technologies shape a new social order termed the “Network Society,” exploring their impacts on economics, politics, culture, and identity within the framework of globalization and informational capitalism.